IMPASTO

 

  The work moves between anatomy and abstraction, order and dissolution. Across charcoal, oil, and impasto, The work examines the body, mortality, desire, rupture and reconstruction, not as isolated subjects, but as parts of the same recurring condition. Form is built, damaged, obscured, and rebuilt; beauty often appears precisely where permanence fails.

 

• CHARCOAL — anatomy, gesture, structure, and psychological tension
• OIL — mortality, symbolism, desire, consequence, and transformation
•  IMPASTO — material, fracture, pressure and movement.